N.Flying releases a final album- for now- before military enlistments begin and finally find a seat at the K-Pop table.

Baekho’s group NU’EST was often overlooked. “Absolute Zero” makes a case for his relevance.

Dripping with Beijing glamour and armed with a sickening EP, XENZU is one of the most exciting artists to emerge in pop music. But she’s ready to take over the world.

The dynamic vocalist from Red Velvet digs deep into heartbreak and rage to create her first EP.

This is the first major analysis of BoA’s breakthrough in Japan that examines why her success ignited the globalization of K-Pop and Korean pop culture.

With the “GOOD GIRL GONE MAD TOUR”, SUNMI is eager to share a side she’s been mining since her debut: Her artistry.

As he prepares to debut under FM Entertainment, Jay Chang both experiments and returns to his musical roots.

In this exclusive interview, FM Entertainment trainee Beomhan shares stories from his childhood on Coney Island and his drive to succeed at all costs.

For their third single album, MUSTB are eager to display a sexier image.

On the heels of his debut album, JUNNY brings emotional catharsis to his first tour.

Often overlooked in favor of ‘Pink Tape’, f(x)’s ‘4 Walls’ is a visionary work of art.

After fifteen years in the industry, Taeyeon is not afraid to speak up for herself, and her music has never soared higher.

After two years of hard work, DKB landed their first music show nomination with “24/7”. Now the group is tasked with building on their gradual momentum.

For many of us, Sulli is an enigma. But her last EP “Goblin” provide clues to wha a deep-thinking, introspective pop star she was.

In an exclusive interview with Bias Wrecker, JUNNY talks his inspirations, new music, and what gives him hope.

Girls Generation returns fifteen years after their debut for an album that honors and furthers their legacy as the leaders of K-Pop.